‘If you have been still enough for long enough, your eyes will have attuned and begun to read the sea-surge fluently, so you recognize the blunt curve and flourished tail of a diving otter. Home your eyes in on that portion of the sea, permit nothing else to move, and you will see the otter eel-catching, resurfacing.’
It is a special privilege and a richly rewarding experience to observe a wild animal hunting, interacting with its young or its mate, exploring its habitat, or escaping a predator.
To watch wildlife, it’s essential not only to learn an animal’s ways, the times and places you may find it, but also to look inward: to station yourself, focus, and wait. The experience depends on your stillness, silence, and full attention, watching and listening with minimal movement and if possible staying downwind so that your presence is not sensed.
With decades of close observation of wild animals and birds, Jim Crumley has found himself up close and personal with many of our most elusive creatures, studying their movements, noting details, and offering intimate insights into their extraordinary lives. Here, he draws us into his magical world, showing how we can learn to watch wildlife well, and what doing so can mean for our ability to care for it, and care for ourselves.
Edinburgh, 1923.
Evelyn Hazard is a young woman living a comfortable and unremarkable middle-class life. One day, her quiet existence is shattered when her steady, reliable husband Robert makes a startling announcement: he can communicate with the dead.
As the couple are pulled into the spiritualist movement that emerged following the mass deaths caused by the First World War and the Spanish Flu, Evelyn’s life becomes increasingly unsettled as dark secrets from her past threaten to surface.
Faced with the prospect of losing all that is dear to her, Evelyn finds herself asking: is the man she loves a fraud, a madman or – most frighteningly – is he telling the truth?
A gothic literary mystery, written in sparkling prose, Hazardous Spirits evokes the spirit of 1920s Edinburgh, in all its bohemian vibrancy.
The brand new feel-good Christmas novel from Sunday Times top ten bestselling author, Jenny Colgan.
Carmen is at a loose end. Her gorgeous bookshop is the filming site of a cheesy Christmas movie, she’s been ousted from her sister’s house, and the love of her life has just flown thousands of miles away. It’s threatening to be a very unjolly Christmas indeed!
But when the elderly owner of the shop comes to Carmen with a Christmas wish that threatens to never come true, Carmen knows she must buckle down to get the funds to save not only his trip, but the shop itself. While fending off a shady tatt-selling businessman, Carmen discovers wonders to the shop she could have never imagined, and opens a labyrinth of bookish backrooms for the customers to get lost in.
With her deadline looming, it might take more than a fresh coat of paint to solve Carmen’s problems. But with the help of their neighbours, her nieces and nephew, and a very distractingly cute male nanny, Carmen might just pull her greatest magic trick yet…
Inverness, 1769.
On a freezing winter’s night, astronomer Nancy Lockaby arrives at Blackthistle House, home to renowned, enigmatic Shakespeare scholar Caleb Malles.
When, a month before, Nancy received an invitation from Caleb to leave her position at the Royal Observatory and join him as a research fellow, she saw the opportunity to leave behind a past riddled with tragedy – and to find adventure and freedom in Scotland.
In her new home, Nancy initially finds herself captivated by Caleb’s eccentric mind and deep passion for Macbeth. So, when she crosses paths with three old crones who reveal that Caleb is keeping secrets from her, she is dismissive – after all, the women also claim to have lived many centuries and possess powers that defy any logical reasoning.
Yet as Caleb’s behaviour becomes more erratic, she begins to suspect that the mysterious scholar might have had hidden motives to lure her into his home. But can Nancy trust these three strange women when they warn her that if she doesn’t uncover Caleb’s true intentions, great danger awaits them all?
Offering a fresh, feminist perspective on literature’s most infamous trio, The Wayward Sisters is an enthralling, intricately woven story of friendship, intrigue and magic.
Every day is freighted with baffling questions.
About pain and love, about joy and purpose.
In an age when we’re shy of certainty and suspicious of authority, many of us no longer turn to the great houses of faith for inspiration. But for all we’ve let go, there’s so much to hold on to. Drawing on wisdom from the ages and insights from the everyday, this deeply human collection of daily readings is the ideal travelling companion on the bumpy road to peace, love and understanding.
Less of a ‘how to’ book than a ‘try this’ book, Hold On, Let Go is about keeping your feet on this sacred earth. And taking wing. At the same time.
In Notes from the Henhouse, you will find:
A Gothic castle, a draughty Norfolk farmhouse and a malevolent Aga
A pet pig, Portia with a penchant for drama, an obsession with geraniums and an addiction to wine (the Bulgarian vintage)
George Barker, poet and beloved husband, warbling cowboy songs into his glass and declaiming Hopkins and Houseman in The Drinking Room
Five entrancing baby cherubimos, rolling and bouncing about in a big brass bed, before growing up at breakneck speed
The ecstasy of writing, the dither of procrastination, and the endless adventures to be had in the wild realms of the imagination
The outrage of death, the loneliness of widowhood, and then the surprising joys of dereliction: of moving very slowly round the garden in a shapeless coat, planting drifts of narcissus bulbs for latter springs.
Today Rena is going to change her life…
Rena Jarvie is ahead of her time. Ambitious, attractive, and determined her family escape their shameful past. When she moves to a new town and marries the charming and cosmopolitan Bobby Young, doors finally begin to open. But as Bobby already knows, some things cannot be run from. Spanning the 1930s to the 1960s, Catch the Moments as They Fly is an assured portrait of a rapidly changing Scotland, vivid with humour, and hardship, and love.
An American professor discovers the diaries of John Ledbury, known as the counterfeit detective, a minor poet who, in Victorian London, is employed to reply to the mail that comes addressed to Sherlock Holmes at 221b Baker Street. Through the diaries he unearths a series of baffling unsolved murders. He travels through England and Scotland but he realizes that, in order to solve the mystery, he has to travel further, back through time itself.
THE COUNTERFEIT DETECTIVE is an epic Gothic literary crime thriller set mostly in Victorian London in 1900 but also in 1970s England, Scotland and the United States.
Scotland and Bengal. Two lands, and two cultures with ties that go back centuries. Hot Blood Cold Blood: Tartan Noir Meets Kolkata Crime brings together some of the most impressive established, world-famous authors and exciting new talent from both the Highlands of Scotland and the heat of Ganges delta. The themes of relationships, and wrongs committed, between husbands and wives, resonate across cultures while others highlight the contrasts between the two nations. The stories not only entertain but provide an insight into two very different societies, whether it be the familial, honour-bound world of the Bengali middle class with its emphasis on rank and the petty squabbles that go with it; or the cold, hard, windswept environment of life in the cities of central Scotland.
Private Detective Cormoran Strike is contacted by a worried father whose son, Will, has gone to join a religious cult in the depths of the Norfolk countryside.
The Universal Humanitarian Church is, on the surface, a peaceable organisation that campaigns for a better world. Yet Strike discovers that beneath the surface there are deeply sinister undertones, and unexplained deaths.
In order to try to rescue Will, Strike’s business partner Robin Ellacott decides to infiltrate the cult and she travels to Norfolk to live incognito amongst them. But in doing so, she is unprepared for the dangers that await her there or for the toll it will take on her . . .
Utterly page-turning, The Running Grave moves Strike and Robin’s story forward in the epic, unforgettable seventh instalment of the series.
Edinburgh, haunted by the ghosts of its many writers, is also the cold case beat of DCI Karen Pirie. So she shouldn’t be surprised when an author’s manuscript appears to be a blueprint for an actual crime.
Karen can’t ignore the plot’s chilling similarities to the unsolved case of an Edinburgh University student who vanished from her own doorstep. The manuscript seems to be the key to unlocking what happened to Lara Hardie, but there’s a problem: the author died before he finished it.
As Karen digs deeper, she uncovers a spiralling game of betrayal and revenge, where lies are indistinguishable from the truth and with more than one unexpected twist.
‘Girl A’ was convicted of murdering three people when she was a child. Now she’s missing and a man is dead. The clock is ticking for Scottish detective DCI Christine Caplan to bring her to justice – but the truth may be darker than even she fears . . .
When a body is discovered in the water at Connel Bridge, the police assume it’s an open-and-shut case of suicide. But when DCI Christine Caplan is called in to take a closer look, she discovers that darker truths lurk beneath the surface, and suspicion begins to turn to a young woman recently out of care.
Known only as Girl A, her identity remains anonymous, protected under law. Her violent past includes an allegation of the murder of a younger sibling, so the timing of this new death seems too coincidental. Then a vigilante sets her home on fire and she flees, so the ‘child killer’ is now on the loose – and at risk herself.
As Caplan launches a search for the elusive teenager, looking for connections between her and the dead man, she turns to Girl A’s past for answers. And when she gets them, she realizes the truth may be even more sinister.
The Simulacrum is the most famous lost movie in film history – would you tell someone your darkest secrets, just to lay hands on a copy?
104-year-old Mary Arden is the last surviving cast member of a notorious lost film. Holed up in Garthside, an Art Deco mansion reputed to be haunted, she has always refused interviews. Now Mary has agreed to talk to film enthusiast Theda Garrick. In return she demands all the salacious details of Theda’s tragic past. Only the hint of a truly stupendous discovery stops Theda walking out.
But Mary’s prying questions are not the only thing Theda has to fear. The spirit of The Simulacrum walks Garthside by night, and it will turn an old tragedy into a new nightmare…
In the beginning there was fear.
White-hot, nerve-shredding fear.
Terrifying premonitions of deaths.
And then they started…
The Murmurs…
On the first morning of her new job at Heartfield House, a care home for the elderly, Annie Jackson wakens from a terrifying dream. And when she arrives at the home, she knows that the first old man she meets is going to die.
How she knows this is a terrifying mystery, but it is the start of horrifying premonitions … a rekindling of the curse that has trickled through generations of women in her family – a wicked gift known only as ‘the murmurs’…
With its reappearance comes an old, forgotten fear that is about to grip Annie Jackson.
And this time, it will never let go…
A compulsive gothic thriller and a spellbinding supernatural mystery about secrets and small communities, about faith, courage and self-preservation, The Murmurs is a startling and compulsive read from one of Scotland’s finest authors…
IT’S 1960 AND A CRIME WAVE IS ABOUT TO EXPLODE
Alan McInnes is a young and ambitious police constable dreaming of a career in the CID, far from the backwater village of Barloch, and nourishing wistful visions of marrying his girlfriend.
One night, on patrol, he surprises a young local couple enjoying a private moment. But from this innocent encounter, there are tragic developments, with smuggled cargo, gangster intimidation, hidden family secrets, jealousy, revenge and murder.
Barloch looks and feels like the real thing, vibrant and alive with beauty. MacArthur writes with confident familiarity and affection for the people and communities of 1960s Scotland.
Barloch has the feel of a Pinewood studio movie shot in sharp black and white.
Former investment banker Johan Golding – Joe to his friends – is the newest member of the Hartley and Edwards Investigations team. And he’s thrilled to be shadowing Kitt Hartley, librarian-turned-top sleuth, and her right-hand woman Grace Edwards; even if it means adjusting to the low-level madness that seems to reign in the Hartley and Edwards offices.
But Joe finds himself thrown in at the deep end when a man known as Ralph Holmes goes missing on the outskirts of Carlisle. Police are refusing to investigate, as his disappearance seems voluntary, but his niece, Carly Lewis, is determined to find out what really happened.
As Kitt, Grace and Joe begin to investigate, they deduce there might be more to this disappearance than meets the eye. Drawn into a web of international conspiracies and possible murder, they need to find out who Ralph Holmes really was – and who he was working for. In their most dangerous case yet, the team are in a race against the clock to uncover the truth, before anyone else gets hurt . . .
Even death needs company…
The Skelf women are recovering from the cataclysmic events that nearly claimed their lives. Their funeral-director and private-investigation businesses are back on track, and their cases are as perplexing as ever.
Matriarch Dorothy looks into a suspicious fire at an illegal campsite and takes a grieving, homeless man under her wing. Daughter Jenny is searching for her missing sister-in-law, who disappeared in tragic circumstances, while grand-daughter Hannah is asked to investigate increasingly dangerous conspiracy theorists, who are targeting a retired female astronaut … putting her own life at risk.
With a body lost at sea, funerals for those with no one to mourn them, reports of strange happenings in outer space, a funeral crasher with a painful secret, and a violent attack on one of the family, The Skelfs face their most personal – and perilous – cases yet. Doing things their way may cost them everything…
Tense, unnerving and warmly funny, The Opposite of Lonely is the hugely anticipated fifth instalment in the unforgettable Skelfs series, and this time, danger comes from everywhere…
You could have saved her.
Sure as the tide against his Highland shores, the refrain beats into Constable Angus ‘Dubh’ MacNeil’s mind. For years it has haunted him, accompanied by the faces of those he could not save—the Burned Man, the Strangled Woman, the Drowned Boy. All witnesses to a secret he cannot share and a gift he now refuses to embrace.
You could have saved her. The refrain drives Angus to the seashore at dawn, where a girl lies on the unblemished sand. She wears a green cloak and cradles a corps creadha, a Highland voodoo doll. She has suffered a ritualistic, three-fold death—her head bludgeoned, her throat cut, and symbolically drowned.
It is Faye Chichester, daughter of an American billionaire whose mission to reintroduce wolves to the Highlands has embroiled the village of Glenruig. But even as media and police swarm the area, that refrain—you could have saved her—echoes in all Angus’s thoughts. For he carries a burden, a blessing, a curse, a secret—dà-shealladh, the second sight of Gaelic lore.
Gills MacMurdo, noted folklorist, academic, and Angus’s oldest friend, confirms what the dà-shealladh is warning. Just as Faye’s death was three-fold, so must the murder victims fulfil the ancient pattern. More will die, unless Angus does what he must—close his eyes and see.
Two years into a devastating flu pandemic, food shortages are critical. The streets are full of angry protestors objecting to the government’s proposed rationing.
Carlotta Carmichael MSP is busy organising a meeting of international Virus ministers. When a lorryload of food for her ministerial dinner gets hijacked, she calls on the unwilling assistance of the North Edinburgh Health Enforcement Team to track down its missing driver. While the lorry proves easy to find, the identity of the dead young woman in its hold is less easy to establish.
Everyone’s hungry. Everyone’s scared. And the Health Enforcement Team are driving blind.
A little girl throws up Gloria-Jean’s teeth after an explosion at the custard factory; Pax, Alexander, and Angelo are hypnotically enthralled by a book that promises them enlightenment if they keep their semen inside their bodies; Victoria is sent to a cursed hotel for ailing girls when her period mysteriously stops. In a damp, putrid spa, the exploitative drudgery of work sparks revolt; in a Margate museum, the new Director curates a venomous garden for public consumption.
In Grudova’s unforgettably surreal style, these stories expose the absurdities behind contemporary ideas of work, Britishness and art-making, to conjure a singular, startling strangeness that proves the deft skill of a writer at the top of her game.