THE BEST OF SCOTTISH BOOKS

Number 14 Darlington Road looks like a perfectly ordinary townhouse – at first glance, anyway, but magic is good at hiding . . . when it’s waiting for the right person to discover it . . .

Martha Pennydrop is ten, and desperate to grow up. But growing up is a tricky business. It means turning your back on imagination, fun and magic, because those were the things that led to the Terrible Day when something awful nearly happened to Martha’s younger brother, Scruff, which would have been All Her Fault.

But when Martha and Scruff discover a drawer full of mysterious gold dust in the bedroom of their new house – along with a window that’s seemingly impossible to close – it’s the start of an incredible adventure to a magical world: Neverland! The Pennydrop’s new house used to belong to another family – the Darlings – who once visited this world themselves. Now Peter Pan is back, and in need of their help. Neverland is in the icy grip of a terrible curse – cast long ago by Captain Hook. And only Martha and Scruff can save it . . .

A reluctant Martha and excited Scruff are swept off to Neverland and into the company of the Lost Kids. But when Scruff is kidnapped, Martha must rediscover all the imagination, magic and belief she has buried deep inside herself for so long, to save him – and Neverland itself.

Someone has broken into Zoe’s flat. A man she thought she’d never have to see again.

They call him the Hand of God.

He knows about her job in the cafe, her life in Dublin, her ex-girlfriend, even the knife she’s hidden under the mattress.

She thought she’d left him far behind, along with the cult of the Children and their isolated compound Home – but now he’s found her, and Zoe realises she must go back with him if she’s to rescue the sister who helped her escape originally. But returning to Home means going back to the enforced worship and strict gender roles Zoe has long since moved beyond. Back to the abuse and indoctrination she’s fought desperately to overcome…

Going back will make her question everything she believed about her past – and risk her hard-won freedom.

Can she break free a second time?

Clare arrives at the University of Edinburgh with a secret. This is her chance for a blank slate: to find the right people and reinvent herself.

And then she meets Tabitha.

Tabitha is charismatic, beautiful and intimidatingly wealthy. Soon Clare is sucked into her enigmatic circle of friends and their dizzying world of champagne on rooftops and summers in France.

Her new life has begun.

Then Tabitha reveals the little project they’re working on, a project they need Clare’s help with. It’s reckless, possibly perilous and might finally allow Clare to become who she was meant to be…

But how much is an extraordinary life worth if others have to pay?

An intoxicating feminist page-turner with shades of The Secret History and Promising Young Woman, this novel will take you on a journey from Edinburgh’s dazzling spires to the dripping staircases and dark alleyways of its underbelly.

Ivor Cutler: A Life Outside the Sitting Room is the first biography of one of post-war Britain’s most recognisable authors, poets and performers. Mr Cutler (as he preferred to be known) wrote and recorded some of the most unusual and memorable songs and poems in British popular culture, including the hilarious and unsettling ‘Life in a Scotch Sitting Room’ series. Described by fans and commentators as an outsider because of his eccentric behaviour on and off stage, in many ways he was an insider, working for thirty years as a primary school teacher, gathering a body of fans from the heart of the cultural and social establishment, and regularly appearing on mainstream media. He was one of the first – if not the first – performers to appear on BBC radio 1, 2, 3 and 4 and famously recorded more John Peel sessions than any other act except The Fall. This book is based on evidence from official documents, print and broadcast media; archive interviews with Ivor Cutler, his close friends and family, fans and collaborators; and new interviews with fans, friends and fellow performers. Contributors include musical and acting collaborators who have never been interviewed about their experiences with Mr Cutler.

For most of us, the story of mammal evolution starts after the asteroid impact that killed the dinosaurs, but over the last 20 years scientists have uncovered new fossils and used new technologies that have upended this story.

In Beasts Before Us, palaeontologist Elsa Panciroli charts the emergence of the mammal lineage, Synapsida, beginning at their murky split from the reptiles in the Carboniferous period, over three-hundred million years ago. They made the world theirs long before the rise of dinosaurs. Travelling forward into the Permian and then Triassic periods, we learn how our ancient mammal ancestors evolved from large hairy beasts with accelerating metabolisms to exploit miniaturisation, which was key to unlocking the traits that define mammals as we now know them.

Elsa criss-crosses the globe to explore the sites where discoveries are being made and meet the people who make them. In Scotland, she traverses the desert dunes of prehistoric Moray, where quarry workers unearthed the footprints of Permian creatures from before the time of dinosaurs. In South Africa, she introduces us to animals, once called ‘mammal-like reptiles’, that gave scientists the first hints that our furry kin evolved from a lineage of egg-laying burrowers. In China, new, complete fossilised skeletons reveal mammals that were gliders, shovel-pawed Jurassic moles, and flat-tailed swimmers.

This book radically reframes the narrative of our mammalian ancestors and provides a counterpoint to the stereotypes of mighty dinosaur overlords and cowering little mammals. It turns out the earliest mammals weren’t just precursors, they were pioneers.

In the year of 1413, two women meet for the first time in the city of Norwich.

Margery has left her fourteen children and husband behind to make her journey. Her visions of Christ – which have long alienated her from her family and neighbours, and incurred her husband’s abuse – have placed her in danger with the men of the Church, who have begun to hound her as a heretic.

Julian, an anchoress, has not left Norwich, nor the cell to which she has been confined, for twenty-­three years. She has told no one of her own visions – and knows that time is running out for her to do so.

The two women have stories to tell one another. Stories about girlhood, motherhood, sickness, loss, doubt and belief; revelations more the powerful than the world is ready to hear. Their meeting will change everything.

Sensual, vivid and humane, For Thy Great Pain Have Mercy On My Little Pain cracks history open to reveal the lives of two extraordinary women.

A thrilling gothic tale of hubris gone badly wrong. A young man’s search for the secret of the spark of life leads him to a horrific experiment in which he creates a gigantic creature from dismembered body parts. Rejected by his creator, the initially gentle creature turns monstrous when his desire to find companionship and love are thwarted. Tanya Landman revisits Mary Shelley’s classic Gothic horror story, bringing to life Dr Frankenstein and his monstrous creation in an accessible format that more readers can enjoy.

‘It’s summer. I stand where perhaps Ellen stood, in this ground thick with new thistle and long grass. She would have ken this coast in all weathers: in the summer when it was as gentle as a lake and in the winter, with the high winds and stinging salt spray.’

A moving and personal journey, along rugged coasts and through remote villages and cities, in search of the traces of those accused of witchcraft in seventeenth-century Scotland.

In Ashes and Stones we visit modern memorials and standing stones, and roam among forests and hedge mazes, folklore and political fantasies. From fairy hills to forgotten caves, we explore a spellbound landscape.

Allyson Shaw untangles the myth of witchcraft and gives voice to those erased by it. Her elegant and lucid prose weaves together threads of history and feminist reclamation to create a vibrant memorial. This is the untold story of the witches’ monuments of Scotland and the women’s lives they mark. Ashes and Stones is a trove of folklore linking the lives of contemporary women to the horrors of the past, a record of resilience and a call to choose and remember our ancestors.

Many famed music producers are known for a particular sound that has its day and then ages out. Rick Rubin is known for something else: creating a space where artists of all different genres and traditions can home in on who they really are and what they really offer. He has made a practice of helping people transcend their self-imposed expectations in order to reconnect with a state of innocence from which the surprising becomes inevitable.

Over the years, as he has thought deeply about where creativity comes from and where it doesn’t, he has learned that being an artist isn’t about your specific output; it’s about your relationship to the world. Creativity has a place in everyone’s life, and everyone can make that place larger. In fact, there are few more important responsibilities.

The Creative Act is a beautiful and generous course of study that illuminates the path of the artist as a road we all can follow. It distils the wisdom gleaned from a lifetime’s work into a luminous reading experience that puts the power to create moments – and lifetimes – of exhilaration and transcendence within closer reach for all of us.

Exquisitely sharp, deeply humane and brutally hilarious, Toy Fights is a future classic from one of the greatest writers of his generation.

This is a book about family, money and music but also about schizophrenia, hell, narcissists, debt and the working class, anger, swearing, drugs, books, football, love, origami, the peculiar insanity of Dundee, sugar, religious mania, the sexual excesses of the Scottish club band scene and, more generally, the lengths we go to not to be bored.

Don Paterson was born in Dundee, Scotland, in 1963. He spent his boyhood on a council housing estate. When he wasn’t busy dreading his birthdays, dodging kids who wanted to kill him in a game of Toy Fights, working with his country-and-western singer dad, screwing up in the Boys’ Brigade, obsessing over God, origami, The Osmonds, stamps, sex or Scottish football cards, he was developing a sugar addiction, failing his exams, playing guitar, falling in love, dodging employment and descending into madness. While he didn’t manage to figure out who he was meant to be, the first twenty years of his life – before he took a chance, packed his guitar and boarded a train to London – did, for better or worse, shape who he would become.

Glasgow was once known as the Second City of the British Empire – the powerhouse of the industrial revolution, a great port and merchant city whose architectural and cultural magnificence hid a darker side of urban poverty and squalor. Today the heavy industry is long gone, and 21st-century Glasgow is comfortable in its role as a smaller, cleaner, greener city, a vibrant and stylish centre for the arts and learning, now even more friendly and culturally diverse. With a wealth of insider’s local knowledge and engaging anecdotes, 111 Places in Glasgow That You Shouldn’t Miss will guide you round a huge variety of intriguing sights, unique venues and surprising corners of this great city, helping you understand how the people made Glasgow and how Glasgow made its people.

Singing Like Larks opens a rare window onto the ancient song traditions of the British Isles, interweaving mesmerising lyrics, folklore and colourful nature writing to uncover the remarkable relationship between birds and traditional folk music.Birds are beloved for their song and have featured in our own music for centuries. This charming volume takes us on a journey of discovery to explore why birds appear in so many folk songs.Today, folk songs featuring our feathered friends are themselves something of a threatened species: their melodies are fading with the passage of time, and their lyrics are often tucked away in archives. It is more important than ever that we promote awareness of these precious songs and continue to pass them down the generations. Lifetimes of wisdom are etched into the words and music, preserving the natural rhythms of nature and our connection to times past.An important repository and treasury of bird-related folk songs, Singing Like Larks is also an account of one young nature writer’s journey into the world of folk music, and a joyous celebration of song, the seasons, and our love of birds.

A discussion of sensibility, sensation, perception and painting, Scotland and the Origins of Modern Art is an original work which argues that the eighteenth-century Scottish philosophy of moral sense played a central role in shaping ideas explored by figures such as Cezanne and Monet over one hundred years later.Proposing that sensibility not reason was the basis of morality, the philosophy of moral sense gave birth to the idea of the supremacy of the imagination. Allied to the belief that the imagination flourished more freely in the primitive history of humanity, this idea became a potent inspiration for artists. The author also highlights Thomas Reid’s method in his philosophy of common sense of using art and artists to illustrate how perception and expression are intuitive. To be truly expressive, artists should unlearn what they have learned and record their raw sensations, rather than the perceptions that derive from them.Exploring the work of key philosophical and artistic protagonists, this thought-provoking book unearths the fascinating exchanges between art, philosophy and literature during Enlightenment in Scotland that provided the blueprint for modernism.

Offers a fresh perspective on the role of the court in late medieval Scotland, framing it within the wider field of court studies, highlighting its centrality to the effective government for which James IV is renowned.James IV is regarded by many historians as the most charismatic and politically successful of Scotland’s rulers, with his royal court, and the institution of the royal household which underpinned it, at the heart of his reign. This book, the first comprehensive examination of the subject, takes the structures and personnel of the household – from councillors to stable-hands – as the foundation for its study of the court and its role.Beginning by looking at the distinction between household and court and the structures imposed by the household on the court, Hepburn utilises this framework to explore the lives of the people moving within it, both in terms of their duties as royal servants and their broader social and political worlds. The book argues that these people were both audience and performer in the court, receiving and producing messages about the king, royal government and the status of groups and individuals. Association with the household also became a feature of life for people away from the court, through the household-related terms in which they were described and through the lands they held. Overall, it highlights the central role of the court in the effective conduct of royal government for which James IV is renowned.

Turn back time and introduce little explorers to Scotland’s past through some of its most famous historical places. Explore Orkney’s Skara Brae with Stone Age villagers, command Urquhart Castle with Robert the Bruce, return to Jarlshof in Shetland after a Viking raid, have a feast at Stirling Castle with King James V, guard the Antonine Wall with Roman soldiers, and try to capture Edinburgh Castle with the Jacobites.With double fold-out sturdy pages, children can discover what key places in Scotland’s history look like now, then reveal how they might have looked hundreds, or even thousands, of years ago.Published in partnership with experts at Historic Environment Scotland, each page is inspired by an Historic Scotland site. The bright and exciting illustrations are packed full of historical detail helping young children to learn as they explore. This large board book is chunky but lightweight — just the right size for little hands — and a perfect souvenir of adventures in Scotland.

BFFs examines female friendship as a site of radical intimacy, as told through the cultural touchstones around us. From Elena Ferrante to Booksmart, Little Women to Insecure, and beyond, the book considers how female friendships can offer a more expansive and emancipatory understanding of female intimacy.

BFFs examines female friendship as a site of radical intimacy, as told through the cultural touchstones around us. From Elena Ferrante to Booksmart, Little Women to Insecure, and beyond, the book considers how female friendships can offer a more expansive and emancipatory understanding of female intimacy.

Hogarth’s Britons explores how the English painter and graphic satirist William Hogarth (1697-1764) set out to define British nationhood and identity at a time of division at home and conflict abroad. With notions of community cohesion, good citizenship and patriotism, wrapped up in a unifying idea of British national character and spirit in all its variety, and set alongside the ongoing national debate on Britain’s past, present and future within European and World affairs, Hogarth and his art has never been more relevant.In the summer of 1745, Prince Charles Edward Stuart ‘Bonnie Prince Charlie’ landed with his supporters, the ‘Jacobites’, in a remote corner of Scotland. This signalled the start of his audacious military campaign, with the backing of Britain’s global adversary France andduring a Europe-wide war, to topple the Hanoverian, Protestant monarch George II and restore the Catholic Stuarts, exiled in France and then Rome since 1688, to the throne. The country descended into turmoil, with regional, local and family loyalty for these rival royal dynasties severely tested, and opposing visions for the new nation of Great Britain – since the Union of England and Scotland in 1707 – laid bare. By early December the prince and his 6,000 troops arrived in Derby, just 120 miles and five days’ march from London. For both sides everything was at stake.From the 1720s, through the crises of the early 1740s, to the civil war called the 1745 Jacobite Rebellion or Rising, Prince Charles’s defeat at Culloden in April 1746 and beyond, Hogarth created some of the most iconic images in British and European art, including Marriage A-La-Mode, O the Roast Beef of Old England (The Gate of Calais) and The March of the Guards to Finchley. Through such vibrant scenes, rich in topical commentary, he conveyed a sense of external threat (real and imagined) from foreign powers and internal political, social and cultural upheaval. At the same time he offered his fellow Britons a confident, reassuring idea of the rights and liberties they enjoyed under King George and his government: a flawed status quo, as Hogarth would readily admit, yet certainly better, he would argue, than the regime that would replace it under the ‘popish’ Stuarts as client monarchs of the self-serving French king, Louis XV.With British society and politics in flux, and the Union between Scotland and England arguably more vulnerable now than at any moment since 1746, the themes explored in Hogarth’s Britons have profound resonance with our own time.

The Age of Discovery was a time of exploration and developing new ideas, when Europeans first travelled across the seas to other lands.In his warm and expressive style, Charles Kovacs tells stories of key European historical figures, from the Crusades to the Renaissance, including Saladin, Joan of Arc, Columbus, Magellan, Queen Elizabeth I and Francis Drake, and draws out the interrelation of world events.This revised edition of a classic text is an engaging resource for teachers and home-schooling parents. This historical period is traditionally covered in Class 7 (age 13-14) of the Steiner-Waldorf curriculum.

1890s Sudan. When Akuany and her brother are orphaned in a village raid, they are taken in by a young merchant, Yaseen,who promises to care for them – a vow that tethers him to Akuany through their adulthood. As revolution begins to brew, led by the self-proclaimed Mahdi, Sudan begins to prise itself from Ottoman rule, and everyone must choose a side. Yaseen feels beholden to stand against this false Mahdi, a decision that threatens to splinter his family. Meanwhile, Akuany moves through her young adulthood and across the country alone, sold and traded from house to house, with only Yaseen as her intermittent lifeline. Their struggle mirrors the increasingly bloody struggle for Sudan itself – for freedom, safety and the possibility of love. River Spirit is the unforgettable story of a people who, against the odds and for a brief time, gained independence from foreign rule through their willpower, subterfuge and sacrifice.