THE BEST OF SCOTTISH BOOKS

From Jim Crumley, the “pre-eminent Scottish nature-writer” (Guardian), this landmark volume documents the extraordinary natural life of the Scottish Highlands and bears witness to the toll climate chaos is already taking on our wildlife, habitats and biodiversity – laying bare what is at stake for future generations.A display of head-turning autumn finery on Skye provokes Jim Crumley to contemplate both the glories of the season and how far the seasons themselves have shapeshifted since his early days observing his natural surroundings.After a lifetime immersed in Scotland’s landscapes and enriched by occasional forays in other northern lands, Jim has amassed knowledge, insight and a bank of memorable imagery chronicling the wonder, tumult and spectacle of nature’s seasonal transformations. He has witnessed not only nature’s unparalleled beauty, but also how climate chaos and humankind has brought unwanted drama to wildlife and widespread destruction of ecosystems and habitats.In this landmark volume, Jim combines lyrical prose and passionate eloquence to lay bare the impact of global warming and urge us all towards a more daring conservation vision that embraces everything from the mountain treeline to a second spring for the wolf.

Don’t miss the next gripping thriller in the DS Max Craigie series… Pre-order now!He’ll watch you.A lawyer is found dead at sunrise on a lonely clifftop at Dunnet Head on the northernmost tip of Scotland. It was supposed to be his honeymoon, but now his wife will never see him again.He’ll hunt you.The case is linked to several mysterious deaths, including the murder of the lawyer’s last client – Scotland’s most notorious criminal… who had just walked free. DS Max Craigie knows this can only mean one thing: they have a vigilante serial killer on their hands.He’ll leave you to die.But this time the killer isn’t on the run; he’s on the investigation team. And the rules are different when the murderer is this close to home.He knows their weaknesses, knows how to stay hidden, and he thinks he’s above the law…Max, Janie and Ross return in the third gripping novel in this explosive Scottish crime series. Pre-order now!Readers LOVE Neil Lancaster!’Wow!! A must for any avid crime/thriller fan! You feel like you are right there in the moment with the characters! Every chapter just left you wanting more!’ Reader review’With each page I turned there was more suspense and intrigue. Add the inevitable twists and turns and you’ve got a must read book!’ Reader review’This was amazing. Fast paced and believable, with a great cast of characters. If you liked Line of Duty this is for you.’ Reader review’This book was really good! It had suspense, intrigue some really bad guys and great police work! There were plenty of heart pounding moments and lots of twists and turns!’ Reader review’Phew! What a ride! A great read and highly recommended.’ Reader review’A fast paced, engaging and heart in the mouth book. Loved it, couldn’t put it down.’ Reader review’It had me up until the wee hours, but I just didn’t want it to end it was that exciting.’ Reader review

The Black Dog is the exciting debut novel from one of Britain’s most-loved comedians, Kevin Bridges.

Declan dreams of becoming a writer. It’s a dream that helps him escape the realities of his life – going through the motions at college and stacking supermarket shelves part-time, whilst fighting a battle with the ever-darkening thoughts in his head.

He has his pet Labrador for companionship and his best friend-turned-mentor, a pseudo-intellectual who works as a greenskeeper at the local municipal golf course, both of which help keep the worst of his anxieties at bay. But following a drunken row with local gangsters, Declan’s worries threaten to spiral out of control.

James Cavani – Declan’s idol and his hometown’s claim to fame – is a renowned writer, director and actor. But despite his success, his past hasn’t relinquished its hold of him, and through his younger sister’s battle with drug addiction, he finds himself returning to a world he thought he had escaped.

At face value, their lives couldn’t be more different, but perhaps fate has a way of bringing kindred spirits together – and perhaps each holds the other’s redemption in their hands.

Seasonality is an uplifting look at British wildlife through the seasons of the year, but it is also about our relationship with that wildlife. The author, a keen and passionate naturalist, takes us on a journey through spring, summer, autumn and winter, and on this journey we look at how our wildlife lives throughout the year, how it adapts and changes as necessary. The author shares how wildlife makes him feel, how he derives joy and a sense of well-being from the wildlife he sees and describes. But he also shares his frustration at how some of our actions and land management impact on our increasingly pressurised wildlife.

167 men died on the Piper Alpha oil platform in 1988. In The Shadow of Piper Alpha is the first novel to explore the devastating aftermath of the disaster.

Marcus is on Piper Alpha that night. His daughter, Carrie, waits at the hospital as helicopters start bringing in survivors, never knowing if her father will be on the next one. Marcus survives, but his post-traumatic stress disorder develops into often violent alcoholism. As the story moves between Marcus and Carrie, between the past and present, their trauma grows and deepens, driving them ever further apart.

After decades living abroad, Carrie, now a respected volcanologist, returns to the University of Aberdeen to deliver a controversial academic paper with Marcus in attendance. Will a reconciliation be possible, or has too much time passed?

Wendy is nineteen and living alone. All she wants is to drive the 255 bus around Uddingston with her regulars on board, remember to buy milk when it runs out and to just be ok. After her mum passed away, there’s no one to remind Wendy to eat, what to do each day and most importantly to love herself. Every week Wendy proudly shows her social worker Saanvi the progress she’s made, like the coasters she bought to spruce up the place, even if she does forget to offer her a cup of tea.

But Wendy is ready to put herself out there and really live. She joins a writer’s group to share stories she writes including the one about a bullied schoolboy who goes to Mars. The other writers are total amateurs, unlike Diane Weston – a famous local author who likes and sometimes even comments on Wendy’s tweets.

Everything changes on a rainy day when Wendy meets Ginger. A teenager with flaming orange hair, Ginger’s so brave she’s wearing a coat that isn’t even waterproof. For the first time, Wendy has a real best friend. But as they begin the summer of their lives, Wendy wonders if her life would be simpler if she hadn’t met Ginger. And that’s before she realises just how much of a mess Ginger is about to get them in…

Glasgow, in the aftermath of the Independence referendum, is a strange place.

Marina Katos’s body is found in a park and the police don’t seem to know or care who committed the crime.

In a haze of tranquilisers, hallucinogenics, and Valium, Felix McAveety decides to solve the murder of Marina, his best friend. But to break through his drug-induced fog and get closer to the truth Felix enlists the help of a dying crime novelist, Jane Pickford and his crisis-ridden friend Scott.

Their quest takes them into the dark heart of Scottish politics, the orbit of drug dealers, and the matrix of AI, encountering Independence activists, the intelligence services, and stalkers, as they seek justice for Marina.

Meantime is a wild ride through Glasgow’s multicultural present and examines its colonial past. It’s dazzingly funny, grappling with big ideas, and is heartbreakingly tinged with personal and political loss.

In 2018 poet and author Michael Pedersen lost a cherished friend, Scott Hutchison, soon after their collective voyage into the landscape of the Scottish Highlands. Just weeks later, Michael began to write to him. As he confronts the bewildering process of grief, what starts as a love letter to one magical, coruscating human soon becomes a paean to all the gorgeous male friendships that have transformed his life.

If all the best people are in all the top jobs, then why is Britain such a fucking bin fire?

Britain is in a long-distance relationship with reality. A ravine cuts through it, partitioning the powerful from the powerless, the vocal from the voiceless, the fortunate from those too often forgotten. This distance dictates how we identify and relate to society’s biggest issues – from homelessness and poverty to policing and overrun prisons – ultimately determining how, and whether, we strive to resolve them. So why, for generations, has a select group of people with very limited experience of social inequality been charged with discussing and debating it?

I’ve sat on cold pavements with beggars, asking them why they would rather wander the streets than live in supported accommodation. I’ve pleaded with alcoholics to give sobriety one last shot before they end up dead – and read their obituaries in the paper weeks later. I’ve sat with youth workers at their wits’ end as diversionary services are cut amid a surge in gang and knife violence. Too many people remain so far from this nightmarish social reality that even when they would earnestly wish to bring about change, they don’t know where to start. So start here.

It is 1982 and in the Kingdom Hall we are Jehovah’s Witnesses. The state of the world shows us the end is close, and Satan is like a roaring lion, seeking to devour us.

Ali Millar is waiting for Armageddon. Born into the Jehovah’s Witnesses in a town in the Scottish Borders, her childhood revolves around regular meetings in the Kingdom Hall, where she is haunted by vivid images of the Second Coming, her mind populated by the bodies that will litter the earth upon Jehovah’s return.

In this frightening, cloistered world Ali grows older. As she does, she starts to question the ways of the Witnesses, and their control over the most intimate aspects of her life. As she marries and has a daughter within the religion, she finds herself pulled deeper and deeper into its dark undertow, her mind tormented by one question: is it possible to escape the life you are born into?

A tale of love and darkness, of faith and absolution, The Last Days is an unforgettable memoir of one woman’s courageous journey to freedom.

When Holly applies for a job at the Paradise – one of the city’s oldest cinemas, squashed into the ground floor of a block of flats – she thinks it will be like any other shift work. She cleans toilets, sweeps popcorn, avoids the belligerent old owner, Iris, and is ignored by her aloof but tight-knit colleagues who seem as much a part of the building as its fraying carpets and endless dirt. Dreadful, lonely weeks pass while she longs for their approval, a silent voyeur. So when she finally gains the trust of this cryptic band of oddballs, Holly transforms from silent drudge to rebellious insider and gradually she too becomes part of the Paradise – unearthing its secrets, learning its history and haunting its corridors after hours with the other ushers. It is no surprise when violence strikes, tempers change and the group, eyes still affixed to the screen, starts to rapidly go awry…

Will two tribes in Ethiopia make peace by throwing their most precious possessions in the river? Can a poor Palestinian shepherd show a rich sultan the value of true kindness? Or will an angel in Afghanistan find a way to turn the selfish Emir into a caring ruler? Buried treasure and an act of forgiveness reunite a father and daughter in Sudan while a camel is the key to choosing a kind and fair ruler for the kingdom of Yemen. Hear the Syrian story of the woodcutter and the lion to discover the meaning of friendship, and then follow nine courageous Uighur princesses of Kashgar, as they bring peace to their kingdom – without any fighting.The importance of peace and kindness in our lives shines through these timeless, inspirational stories from seven countries, beautifully told and illustrated with empathy and humour.

Born the son of Scotland’s last telescope-maker, Stuart Braithwaite was perhaps always destined for a life of psychedelic adventuring on the furthest frontiers of noise in MOGWAI, one of the best loved and most groundbreaking post-rock bands of the past three decades.Modestly delinquent at school, Stuart developed an early appetite for ‘alternative’ music in what might arguably be described as its halcyon days, the late 80s. Discovering bands like Sonic Youth, My Bloody Valentine, and Jesus and Mary Chain, and attending seminal gigs (often incongruously incognito as a young girl with long hair to compensate for his babyface features) by The Cure and Nirvana, Stuart compensated for his indifference to school work with a dedication to rock and roll … and of course the fledgling hedonism that comes with it.After an initial outing in the unfortunately (and provocatively named), Pregnant Nun, Stuart – alongside teenage friends Dominic Aitchison and Martin Bulloch – upgrades the band name to MOGWAI. They release their first single ‘Tuner/Lower’ in 1996. Championed by the legendary John Peel, and making a name for themselves for tinnitus-inducing live shows, MOGWAI’S subsequent single ‘Summer’ is named Single of the Week in NME. Their first album, Mogwai Young Team, follows to significant critical acclaim.Spaceships Over Glasgow is a lovesong to live rock and roll; to the passionate abandon we’ve all felt in the crowd (and some of us, if lucky enough, from the stage) at a truly incendiary gig. It is also the story of a life lived on the edge; of the high-times and hazardous pit-stops of international touring with a band of misfits and miscreants.

‘A detective story with a very considerable difference. Ingenious, stimulating and very enjoyable’ SUNDAY TIMES’As interesting and enjoyable a book as they will meet in a month of Sundays’ OBSERVERScotland Yard inspector Alan Grant, recovering from a broken leg, becomes fascinated with a contemporary portrait of Richard III, believed to have brutally killed his brother’s children – the Princes in the Tower – to make his crown secure. But is the hunchback with such a sensitive, noble face really one of the world’s most heinous villains? Or was he the victim of one of the most insidious plots in history?’One of the best mysteries of all time’ NEW YORK TIMES’Suspense is achieved by unexpected twists and extremely competent storytelling . . . credible and convincing’ SPECTATOR

‘An ingenious book’ SARAH WATERS’Permanent classics in the detective field . . . no superlatives are adequate’ THE NEW YORK TIMESMarion Shape and her mother are quiet and ordinary villagers, enjoying a peaceful life in their country home, the Franchise. Everything changes when a local schoolgirl accuses them of kidnap and abuse, describing the attic room of the house as her prison. Scotland Yard inspector Alan Grant is called to solve the mystery of the Franchise, but will he fall right in the middle of nightmarish affair that will change a town, and its locals’ lives, forever?’Josephine Tey enjoys a category to herself’ NEW STATESMAN

This book offers the first in-depth account of the relationship between English and Scottish poets and the international concrete poetry movement of the 1950s to the 1970s. Concrete poetry was a literary and artistic style which reactivated early twentieth-century modernist impulses towards the merging of artistic media, while simultaneously speaking to a gamut of contemporary contexts, from post-1945 reconstruction to cybernetics, mass media and the sixties counter-culture. The terms of its development in England and Scotland suggest new ways of mapping ongoing complexities in the relationship between the two national cultures, and of tracing broader sociological and cultural trends in Britain during the 1960s and 1970s. Focusing especially on the work of Ian Hamilton Finlay, Edwin Morgan, Dom Sylvester Houedard and Bob Cobbing, Border Blurs is based on new and extensive archival and primary research, and will fill a vital gap in contemporary understandings of an important but much misunderstood genre: concrete poetry. It will also serve as a vital document for scholars and students of twentieth-century British literature, modern intermedia art and modernism, especially those interested in understanding modernism’s wide geographical spread and late twentieth-century legacies.

Stephen Millar returns to explore Edinburgh, its neighbouring Leith and the ‘tribes’ that reside there. In the book, he discusses how the groups came to be and where they are going. From the Morningside Ladies to the Speculative Society, from the Leith Dockers to the Knights Templar, accompanying photos by Alan McCredie bring these tribes to life.

‘Awesome. Helen fields is the queen of suspense. Loved it.’ Reader Review’A stunner! I guarantee you’ll put everything on hold until you arrive at the shocking final scenes. Without a doubt, one of the best crime novels of the year!’ – Jeffery Deaver, No.1 international bestselling author of The Bone CollectorIn search of a new life, seventeen-year-old Adriana Clark’s family moves to the ancient, ocean-battered Isle of Mull, far off the coast of Scotland. Then she goes missing. Faced with hostile locals and indifferent police, her desperate parents turn to private investigator Sadie Levesque.Sadie is the best at what she does. But when she finds Adriana’s body in a cliffside cave, a seaweed crown carefully arranged on her head, she knows she’s dealing with something she’s never encountered before.The deeper she digs into the island’s secrets, the closer danger creeps – and the more urgent her quest to find the killer grows. Because what if Adriana is not the last girl to die?Beautifully haunting with twists and turns you’ll never see coming, The Last Girl to Die is your next obsession waiting to happen. Perfect for fans of Stuart MacBride and L.J. Ross.’Oh my goodness, I absolutely and totally loved this book. Outstanding and compelling, it gave me whiplash from all the twists and turns.’ – million-copy bestseller Angela MarsonsReaders absolutely LOVE The Last Girl to Die!’What rollercoaster ride this was. I love it when a book shocks me the way this did.”Huge wows… The Last Girl to Die had me instantly gripped. I lost sleep and bit my nails down as the tension ramped up. You have to read this book.”Breathtaking. Twists and turns galore. I couldn’t put it down, I loved it.”A tense, twisty, phenomenal read!”Haunting. Breathtaking shocks, horror, unforeseen twists, and an emotionally shattering conclusion.”Twisty, unpredictable and kept me guessing the whole time.”Breathtakingly brilliant… The ending left me stunned.”Remote, forbidding, atmospheric, tinged with superstitions and folkloric rituals…A gripping read.’

The Bookshop in Wigtown is a bookworm’s idyll – with thousands of books across nearly a mile of shelves, a real log fire, and Captain, the bookshop cat. You’d think after twenty years, owner Shaun Bythell would be used to the customers by now.Don’t get him wrong – there are some good ones among the antiquarian porn-hunters, die-hard Arthurians, people who confuse bookshops for libraries and the toddlers just looking for a nice cosy corner in which to wee. He’s sure there are. There must be some good ones, right?Filled with the pernickety warmth and humour that has touched readers around the world, stuffed with literary treasures, hidden gems and incunabula, Remainders of the Day is Shaun Bythell’s latest entry in his bestselling diary series.

Scotland is famed for its rugged coastlines, pristine beaches, endless rivers and deep lochs. From the Highlands to the Islands, from the east coast to the west coast, the whole country is an unreported mecca for wild water sports.Mollie Hughes has tried and tested numerous locations throughout the country and introduces 80 of them in this book. As well as practical details on all aspects of the locations, she also includes her own personal experiences and tips, enabling wild water sports enthusiasts of all levels of experience to make the most of the amazing opportunities Scotland offers.