The Life of Romeyn de Hooghe 1645-1708: Prints, Pamphlets, and Politics in the Dutch Golden Age

Biography; Dutch Golden Age; Graphic Arts; Propaganda

Reviews of The Life of Romeyn de Hooghe 1645-1708: Prints, Pamphlets, and Politics in the Dutch Golden Age

I must admit that while I expected to be impressed, knowing the earlier work of this author, the text surpassed my expectations: it is a truly outstanding and in every way excellent contribution to the history of the Golden Age. Romeyn de Hooghe was the foremost engraver of the later Dutch Golden Age, a highly influential figure in the spread of engraving and etching in Europe as far as Russia, immensely productive and also a major figure in the Dutch and international political propaganda and pamphlet wars of the era. Despite his obvious importance, previous efforts had never got beyond brief and in some cases misleading sketches because of the great complexity of the subject matter and because much of this in part murky story remained buried in little studied notarial and unpublished juridical manuscript sources. It needed a lot of painstaking research, patience and a thorough knowledge of many aspects of Dutch history in the Golden Age to be able to succeed in this venture. The author has succeeded in achieving what no one has succeeded in in doing previously – setting out a clear, detailed and convincing, well-supported account of the sometimes seemingly baffling shifts and swerves in De Hooghe's career, fortunes, reputation and political stance. – Jonathan Israel, professor emeritus, Institute for Advanced Study, Princeton This book offers a fascinating portrait of the etcher, pamphleteer, pornographer, provocateur, freethinker, spy, author, entrepreneur, husband and father, Romeyn de Hooghe. The account of how he became embroiled in controversy and intrigue throughout his life yields an invaluable perspective of the cultural and political history of the Dutch Golden Age. The book is also remarkably relevant in this age of international political machinations, propaganda, and the distortion and concealment of information by spin doctors and the media. – Huigen Leeflang, Rijksmuseum Amsterdam