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‘Focused for a moment out of time’

In this masterpiece of nature writing, Nan Shepherd describes her journeys into the Cairngorm mountains of Scotland. There she encounters a world that can be breathtakingly beautiful at times and shockingly harsh at others. Her intense, poetic prose explores and records the rocks, rivers, creatures and hidden aspects of this remarkable landscape. Shepherd spent a lifetime in search of the ‘essential nature’ of the Cairngorms; her quest led her to write this classic meditation on the magnificence of mountains, and on our imaginative relationship with the wild world around us. Composed during the Second World War, the manuscript of The Living Mountain lay untouched for more than thirty years before it was finally published.

Extract from The Living Mountain
By Nan Shepherd
Published by Canongate Books

Summer on the high plateau can be delectable as honey; it can also be a roaring scourge. To those who love the place, both are good, since both are part of its essential nature. And it is to know its essential nature that I am seeking here. To know, that is, with the knowledge that is a process of living. This is not done easily nor in an hour. It is a tale too slow for the impatience of our age, not of immediate enough import for its desperate problems. Yet it has its own rare value. It is, for one thing, a corrective of glib assessment: one never quite knows the mountain, nor oneself in relation to it. However often I walk on them, these hills hold astonishment for me. There is no getting accustomed to them.

The Cairngorm Mountains are a mass of granite thrust up through the schists and gneiss that form the lower surrounding hills, planed down by the ice cap, and split, shattered and scooped by frost, glaciers and the strength of running water. Their physiognomy is in the geography books – so many square miles of area, so many lochs, so many summits of over 4000 feet – but this is a pallid simulacrum of their reality, which, like every reality that matters ultimately to human beings, is a reality of the mind.

The plateau is the true summit of these mountains; they must be seen as a single mountain, and the individual tops, Ben MacDhui, Braeriach and the rest, though sundered from one another by fissures and deep descents, are no more than eddies on the plateau surface. One does not look upwards to spectacular peaks but downwards from the peaks to spectacular chasms. The plateau itself is not spectacular. It is bare and very stony, and since there is nothing higher than itself (except for the tip of Ben Nevis) nearer than Norway, it is savaged by the wind. Snow covers it for half the year and sometimes, for as long as a month at a time, it is in cloud. Its growth is moss and lichen and sedge, and in June the clumps of Silence – moss campion – flower in brilliant pink. Dotterel and ptarmigan nest upon it, and springs ooze from its rock. By continental measurement its height is nothing much – around 4000 feet – but for an island it is well enough, and if the winds have unhindered range, so has the eye. It is island weather too, with no continent to steady it, and the place has as many aspects as there are gradations in the light.

Light in Scotland has a quality I have not met elsewhere. It is luminous without being fierce, penetrating to immense distances with an effortless intensity. So on a clear day one looks without any sense of strain from Morven in Caithness to the Lammermuirs, and out past Ben Nevis to Morar. At midsummer, I have had to be persuaded I was not seeing further even than that. I could have sworn I saw a shape, distinct and blue, very clear and small, further off than any hill the chart recorded. The chart was against me, my companions were against me, I never saw it again. On a day like that, height goes to one’s head. Perhaps it was the lost Atlantis focused for a moment out of time.

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