‘He rolled and took aim at the closest gunman. It all seemed so natural. He fired. It all seemed so easy. Aim the gun, fire the gun, take a life. That was when we knew for certain that Dagda was back. Dead certain.’
The Janus Run
By Douglas Skelton
Published by Saraband
BooksfromScotland caught up with Douglas Skelton to get the lowdown on his new novel, The Janus Run.
It followed a discussion with author Craig Robertson about three years ago, over coffee in Bristol. He suggested I do something not set in Glasgow, or indeed Scotland. I am a huge admirer of his book The Last Refuge, which was set in the Faroe Islands. I wanted to do something that was fast-paced, in the mould of Robert Ludlum, but felt I couldn’t set it in Scotland as I’d already done a pacey, action-based thriller set in Glasgow called The Dead Don’t Boogie. So I decided if I was going to branch out from Tartan Noir (I so hate that term) then I might as well go the whole hog and cross the Atlantic.
I’m a Glaswegian and I think we always have an affinity for New York, whether we know it or not! There are strong similarities, not just the grid structure of the streets, but also in outlook – gritty, tenacious, tough-talking, on the surface prickly and pugnacious but underneath a heart of gold – and in sense of humour. Also, I feel I know the city, being such a huge movie fan. Apart from that, I love New York! If I could ever afford to live there, I would. I have a friend over there while I write this and I am well jealous, let me tell you.
Whisper it – all my influences are American! From my teenage years I read the 87th Precinct novels of Ed McBain and I still return to them in the hope some of the mojo rubs off. Prior to that I read Ray Bradbury and Robert Bloch. Prior to that Mark Twain and Jack London and a prairie-load of westerns, especially Jack Schaefer. Now my go-to authors are Dennis Lehane, Robert Crais and John Connolly (although he’s Irish), among others. I realise that this is a very male-orientated list, but I did discover Dorothy Uhnak in the 1980s, read a lot of Patricia Cornwell and Paula Gosling while more recently I’ve chanced upon Rachel Howzell Hall, who writes some tough, no nonsense LA-set crime.
It was more difficult than I thought to get the voice right. I thought, steeped as I am in movies and TV and US fiction, that it would be a breeze but it really wasn’t. By default I used UK spelling and words. Luckily, I think between the editors, the publishers, my beta readers and me we caught them all. I hope. The writing approach was, I’m sorry to say, as chaotic as usual. I had an idea, an opening, I had no clue where it would go but I ran with it. I don’t plan. I only research what I need to and generally as I go along. I wish I was more organised. I bought a white board but all it has on it is a shopping list.
That was another reason why it had to be set in NY! I wanted all those elements. Yes, we have crooks in Glasgow but they don’t have the same feel in fiction as the Mafia. And I wanted it to be old school in a lot of ways. The mob isn’t the force it once was but it’s still there. Much of it was fun to write, particularly the scenes with the mob guys because I could really stylise the dialogue. I watched a lot of documentaries and listened to the way they speak, then put my own spin on it. When I first introduce Tony Falcone the words just tripped right out, the way he thought, the way he looked at things, his sense of humour. I also wanted there to be a larger than life feel to the book and its characters and that fitted NY, right down to its big apple.
It’s purposely cinematic because that’s the way I think. My love of Three Days of the Condor (I have a wee sneaky nod to that in Janus) made me see Robert Redford as Cole Lang. And, naturally, Al Pacino as Tony. Sadly, both are perhaps too old now and Redford is retiring from the screen.
I’ve been reading a lot by authors I know personally this year and even though it seems very buddy-buddy, I’d recommend the latest titles from Neil Broadfoot, Denzil Meyrick, Michael J. Malone, Caro Ramsay, Theresa Talbot, Lin Anderson, Quintin Jardine, Mark Leggatt, Gordon Brown, Mason Cross, Alex Gray. Ambrose Parry’s The Way of all Flesh is a bloody good read. I’ll be diving into Liam McIlvanney’s The Quaker in the not too distant future.
The Janus Run is published by Saraband, priced £8.99
‘In the end, of course, it was Lautrec who would achieve enduring fame from his posters, rather than …
‘There is something unique in this new generation of Latin American writers, a generation stepping o …