Fetch

by Colin Bramwell

In Celtic folklore a fetch is a shadowy doppelgänger that appears from the Otherworld, portending the beholder’s fate. Your fetch ‘fetches’ you to the afterlife, willingly or otherwise. Bramwell’s poetry uses the fetch as a model to explore a number of overlapping binaries – between the reader and the poem, most of all. Fetch also meditates on the differences between music and speech, the sacred and the profane, the written and the real, humanity and nature, Scots and English. Incorporating multitudes of modes, forms, registers and subjects, Bramwell converses with the Anglo-Celtic lyric tradition in our own time and in his own distinctively amiable fashion. In other words, this poet takes poetry seriously – but not too seriously.

Fetch is an astonishingly musical tour-de-force from one of Britain’s most exciting new poets, in which reverence and irreverence, religion and faithlessness, the living and the dead, nearly rhyme.

Reviews of Fetch

‘Fower Pessoas is a revelation, and shows just how strong Scots poetry can be. What is exceptional is that Bramwell fashions distinct, plural Scots for Pessoa’s different heteronyms. The chutzpah is amazing.’ – Stuart Kelly, The Scotsman

‘By turns audacious, caustic, erudite, playful, enchorial, mischievous, inventive, yearnful, wildly funny – one of the tightest and most spirited debuts I’ve come across in ages.’ – Paul Farley

‘This collection is long overdue and well worth the wait. Colin Bramwell’s Fetch shows off every part of the intelligence, ingenuity and imagination of one of our very best new poets.’ – Niall Campbell

‘Mixing Scots and English, lyric nuance with great formal invention, Bramwell is funny, super-skilled and ardent. While wide-ranging, voicing the many sides of the self and this strange world in which we find ourselves, he constantly hits home. This is verse that keeps down to earth with great panache and ambition. Here, rooted Scottish poetry and world literature are synonyms. Fetch is a blast.’ – Alan Gillis

‘What a celebration and selection we are offered. Bramwell masters everything from the prose poem to the villanelle to daring, accumulative poems; there are snatches of dramatic verse and witty tilts at the Scottish character. There are even remarkable open translations into Scots from Latin American and Chinese poets.’ – John Glenday and Kathleen Jamie, 2020 Edwin Morgan Poetry Award